This website seeks to encourage researchers and collectors to discover and study obscure ephemera that document American culture and life.  Worldcat reveals that most of the items that I post cannot be found in more than a few research libraries–often none at all.  Alternately, research libraries do not bother to catalog ephemeral publications like these.  I believe, however, that because these were distributed free, or at nominal cost, to consumers, they were the publications most likely to make their way into homes and be read by large numbers of Americans.

I acquire pre-1960 examples of the kinds of publications that prove so useful when scholars study 19th-Century America.  The limited competition that I encounter for them suggests that libraries, which could easily outbid me, have little interest in post-Civil War and 20th-century ephemeral publications in general.

I try to anticipate what materials future historians will find useful.  Being an historian first and a collector second, I organized this website to encourage others to do this too—even if this means new competition for me. I am aware that I could be wrong in prizing particular ephemera or even whole classes of ephemera.  I may even be wrong to encourage scholars to study obscure ephemeral publications; these may be obscure for good reason.

Ephemerastudies.org will permit me to share with others the information and imagery that I am acquiring, and to benefit from the knowledge, intelligence and experience of other scholars and collectors.  Please contact me with your impressions of the site.

~ Saul Zalesch

Title

Pathe “Grip of Evil” Serial 1916; Proto-Flapper?

Category
Advertisement, gallery, Illustration
Why It's Interesting

This is the front side of a sheet advertising to movie exhibitors a forthcoming 14-chapter serial, The Grip of Evil, which followed Pathe’s previous serial The Iron Claw.  Pathe was promising to spend $100,000 advertising the series.  This serial was produced by someone known only as Balboa, and starred Jackie Saunders and Roland Bottomley, neither of which names rings even the faintest bell for me.

When I first looked at this ad I thought it dated from the 1920s.  Its actual 1916 origin makes us wonder about the origins and evolution of what becomes the flapper style of the ’20s.