This website seeks to encourage researchers and collectors to discover and study obscure ephemera that document American culture and life.  Worldcat reveals that most of the items that I post cannot be found in more than a few research libraries–often none at all.  Alternately, research libraries do not bother to catalog ephemeral publications like these.  I believe, however, that because these were distributed free, or at nominal cost, to consumers, they were the publications most likely to make their way into homes and be read by large numbers of Americans.

I acquire pre-1960 examples of the kinds of publications that prove so useful when scholars study 19th-Century America.  The limited competition that I encounter for them suggests that libraries, which could easily outbid me, have little interest in post-Civil War and 20th-century ephemeral publications in general.

I try to anticipate what materials future historians will find useful.  Being an historian first and a collector second, I organized this website to encourage others to do this too—even if this means new competition for me. I am aware that I could be wrong in prizing particular ephemera or even whole classes of ephemera.  I may even be wrong to encourage scholars to study obscure ephemeral publications; these may be obscure for good reason.

Ephemerastudies.org will permit me to share with others the information and imagery that I am acquiring, and to benefit from the knowledge, intelligence and experience of other scholars and collectors.  Please contact me with your impressions of the site.

~ Saul Zalesch

Title

Artistic Printing: 1920s

Category
Booklet, gallery
Date

1920s

Why It's Interesting

This is post number 400 for this website.  It is the back cover of a booklet Plate Progress from the Jahn & Ollier Engraving Co. of Chicago.  The contents discuss production as a relay race; the “one way screen;” “copy for reproduction;”photography, color and “Ben Day Effects.”  The front cover is as colorful as this image, and shows a naked man carving letters into a stone tablet using a mallet and chisel.

This booklet claimed: “The Jahn & Ollier reproductions in color have popularized the masterpieces of the Art Institute of Chicago.  Our color plates have sold and are selling thousands upon thousands of dollars’ worth of merchandise, proving themselves profitable investments.”

It offered to send on request “An interesting ‘Loan Exhibition of Color Proofs’ including some of the Art Institute Reproductions as well as commercial examples.”